The Burning Room (Harry Bosch Book 17)
Not many murder victims die a decade after the crime, so when Orlando Merced dies ten years after being shot, Bosch catches a case with a fresh body and virtually no evidence. Partnered with rookie detective Lucia Soto, Bosch begins to see political dimensions to the case - a case where, despite the seemingly impossible odds, failure to find the killer is simply not an option. But not only does Soto start showing signs of becoming a loose cannon, the one piece of evidence they have on the Merced shooting points in a shocking and unexpected direction that could unsettle the very people who want Bosch to close out the case. It's looking like Orlando Merced may not be the investigation's only victim-and that includes Bosch himself. 'A modern-day master of crime writing . . . arguably the best detective series of our era.' Good Reading 'Unmatched crime writing at its summit' - The Australian 'The finest crime writer working today' - Neil Cross, lead scriptwriter of Spooks and creator of Luther
The Burning Room (Harry Bosch Book 17)
Not many murder victims die a decade after the crime, so when Orlando Merced dies ten years after being shot, Bosch catches a case with a fresh body and virtually no evidence. Partnered with rookie detective Lucia Soto, Bosch begins to see political dimensions to the case - a case where, despite the seemingly impossible odds, failure to find the killer is simply not an option. But not only does Soto start showing signs of becoming a loose cannon, the one piece of evidence they have on the Merced shooting points in a shocking and unexpected direction that could unsettle the very people who want Bosch to close out the case. It's looking like Orlando Merced may not be the investigation's only victim-and that includes Bosch himself. 'A modern-day master of crime writing . . . arguably the best detective series of our era.' Good Reading 'Unmatched crime writing at its summit' - The Australian 'The finest crime writer working today' - Neil Cross, lead scriptwriter of Spooks and creator of Luther
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Not many murder victims die a decade after the crime, so when Orlando Merced dies ten years after being shot, Bosch catches a case with a fresh body and virtually no evidence. Partnered with rookie detective Lucia Soto, Bosch begins to see political dimensions to the case - a case where, despite the seemingly impossible odds, failure to find the killer is simply not an option. But not only does Soto start showing signs of becoming a loose cannon, the one piece of evidence they have on the Merced shooting points in a shocking and unexpected direction that could unsettle the very people who want Bosch to close out the case. It's looking like Orlando Merced may not be the investigation's only victim-and that includes Bosch himself. 'A modern-day master of crime writing . . . arguably the best detective series of our era.' Good Reading 'Unmatched crime writing at its summit' - The Australian 'The finest crime writer working today' - Neil Cross, lead scriptwriter of Spooks and creator of Luther
