Roman Baroque Painting: A List Of The Principal Painters And Their Works In And Around Rome With An Introductory Essay
Roman Baroque Painting: A List Of The Principal Painters And Their Works In And Around Rome With An Introductory Essay
Author: Ellis Waterhouse
Binding: Hardback
Published: PHAIDON, 1976
Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good, price clipped
Markings: No markings
This richly detailed study maps the flourishing world of Roman Baroque painting through its artists, commissions, and surviving works. Blending scholarship with accessibility, it situates paintings within the churches, palaces, and streets that shaped their creation. The introductory essay provides a clear lens on the movement’s drama, devotion, and visual power, while the listings invite deeper exploration. It’s both a reference and a gateway into one of Rome’s most vibrant artistic eras.
Roman Baroque Painting: A List Of The Principal Painters And Their Works In And Around Rome With An Introductory Essay
Author: Ellis Waterhouse
Binding: Hardback
Published: PHAIDON, 1976
Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good, price clipped
Markings: No markings
This richly detailed study maps the flourishing world of Roman Baroque painting through its artists, commissions, and surviving works. Blending scholarship with accessibility, it situates paintings within the churches, palaces, and streets that shaped their creation. The introductory essay provides a clear lens on the movement’s drama, devotion, and visual power, while the listings invite deeper exploration. It’s both a reference and a gateway into one of Rome’s most vibrant artistic eras.
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Description
Author: Ellis Waterhouse
Binding: Hardback
Published: PHAIDON, 1976
Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good, price clipped
Markings: No markings
This richly detailed study maps the flourishing world of Roman Baroque painting through its artists, commissions, and surviving works. Blending scholarship with accessibility, it situates paintings within the churches, palaces, and streets that shaped their creation. The introductory essay provides a clear lens on the movement’s drama, devotion, and visual power, while the listings invite deeper exploration. It’s both a reference and a gateway into one of Rome’s most vibrant artistic eras.
